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By June, the service’s subscriber total had ballooned to 3 million. It’s worth noting that some of 2018’s extraordinarily high ticket sales may be due to MoviePass, which started the year on a high with 1.5 million subscribers, who could get one ticket per day for a subscription fee of $9.99 per month, barely more than the national average cost of a single ticket.
#Box office 2019 movie
2018 was a record-busting year at movie theaters in North America. But looking at 2018’s movie statistics reveals an interesting portrait of a business in flux, looking for its future - and finding no certainty at all. Whether that success turns out to have been a fluke or the start of a bona fide trend remains to be seen. The past year of movies busted records, shattered expectations, and challenged conventional wisdom about moviegoers and their taste. You could blame all kinds of culprits - Netflix, bad or uninteresting movies, those rising ticket prices - but one thing seemed clear: The theatrical movie business was on the wane.īut like a hero swooping in at the eleventh hour (or maybe a zombie rising from the dead), 2018 arrived, and with it a boom time for the box office.
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The end of 2017 marked a three-year low at the North American box office, even amid rising ticket prices. 19 release.A year ago, the movie business was looking bedraggled. It has scored more than $11 million to date since its Dec. 1 at the Italian box office via 01 Distribuzione.
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Similarly, while 2019 can be considered a positive year – one in which Italy had strong year-on-year growth – the Italian market continued to under-perform compared with other major European markets.Īnother positive is that Italian titles in 2019 accounted for more than 20 million admissions, according to Cinetel, scoring about €130 million ($145 million), making for a roughly 21% box office market share, which is about the same portion of the local pie as in 2018 and one of the highest market shares for local movies in Europe.Īmong top local 2019 performers is Matteo Garrone’s live-action “ Pinocchio,” starring Oscar-winner Roberto Benigni as Geppetto, which is currently No. However, that was a month later than its release in most of the rest of the world, indicating that Italy’s push to readjust its summer distribution pattern is still a work in progress. Of these titles, “The Lion King” came out in the summer in Italy, on Aug. Italy’s top-grossing title in 2019 was Disney’s “ The Lion King,” which pulled in $42 million, followed by “Avengers: Endgame” ($33 million), also from Disney, and Warner Bros.’ “Joker” ($32.8 million).